The Journal of Publishing Culture
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Volume 9: 2019
T
able of Contents 

Editors:  Caroline Davis and Genevieve Cain
Oxford International Centre for Publishing, Oxford Brookes University



Publishing and War
Catherine Jones: Vast Disillusion?: The ‘War Books Boom’ 1928-30 and Erich Maria Remarque’s All Quiet on the Western Front

Tanya Wilkins: Loosening the Knot: How World War Two Censorship and Propaganda Influenced George Orwell's Animal Farm and Nineteen Eighty-four


Publishing Genres
Alexander Ware: The Short-Short Story in 20th Century Publishing

Emily Wilcox: Young Adult Fiction's Evolution and its Impact on Youth Culture


Gender and Publishing
Lina Chebaro: The Second Sex: Influence on the Feminist Movement

​Dawn Cockcroft: How Did the Rise of Sixties Feminism Impact on the Publishing Output of Mills & Boon?

Louise Turner: The Cultural Accuracy of Gender Representation in Children's Literature: Ladybird Books During the Second Wave of Feminism

Jiin Choi: A Literary Earthquake in South Korea since the Movement of Sexual Assault Disclosure


Race and Representation
Tanya McMullin: 'The Girl from Ghana goes into Publishing' - Margaret Busby: a Vanguard Publisher​

Rachel Sheridan: Appropriating the Invisible: Bourdieu's Theory of Cultural Production and the Native American Other

Judy Sandeman: Exploring the Threshold: Representations of Burma in the Paratext

Megan Dennis: Combinations to Reflect All Nations: Economic and Symbolic Capital in Diverse Children’s Fiction


Technology and the Culture of Publishing
Kalliopi Dimopoulou: Children's Audiobooks and Diversity: The Absence of Metadata


​Sophie Cox: How Data-Driven Decision Making is Benefiting Independent Trade Publishers
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Articles have been written by students on the History and Culture of Publishing module of the MA in Publishing Media, the  MA Digital Publishing and the MA Publishing Studies (Distance Learning) in the Oxford International Centre for Publishing at Oxford Brookes University. 

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